Most writers devote single-minded attention to whatever book
they are working on but my efforts with A
Fragrant Memory regrettably and unavoidably have been spasmodic. Here’s an example.
Before my last trip to Hong Kong on extended ‘Gran duty’ I left the Flockton manuscript with Prof Tim Entwisle, Director and Chief Executive of the Royal Botanic Gardens, Melbourne. (His picture is from RBG Melbourne website.) He has a particular interest in Margaret Flockton, being the former Director of the Royal Botanic Garden in Sydney, and his role there in setting up the current Award in her name is mentioned in my book.
Before my last trip to Hong Kong on extended ‘Gran duty’ I left the Flockton manuscript with Prof Tim Entwisle, Director and Chief Executive of the Royal Botanic Gardens, Melbourne. (His picture is from RBG Melbourne website.) He has a particular interest in Margaret Flockton, being the former Director of the Royal Botanic Garden in Sydney, and his role there in setting up the current Award in her name is mentioned in my book.
I appreciate that he was quick to respond, and this is what he said,
back on 30 October 2013:
Thank you very much for offering me a look at your
manuscript on Margaret Flockton before its publication. I’ve made a few edits
on A Fragrant Memory in black pen but
nothing of much substance. … She will remain a slightly hazy character I fear
but you have done a huge job in revealing all there is to know about this
remarkable person. … I’m not sure if the next paragraph might be helpful or not
but feel free to use it, or any other part of the letter, in seeking support
for the publication of this book.
Botanical artists Catherine Wardrop and Lesley Elkan, both enthusiastic
supporters of Margaret Flockton and part of her artistic legacy in Australia,
noted that Margaret’s life ‘has barely been noted in any way’. That omission
has now been addressed. In A Fragrant Memory
experienced biographer Louise Wilson has catalogued, chronologed and celebrated
the life of a reclusive and overlooked Australian. From fragments of her life
Louise has been able to paint an engaging portrait of a woman ahead of her
times and someone of great ability and humility. It was clearly a tough job. It
seems there is almost nothing of substance written by Margaret herself and in
places her life remains sketchy and unfinished. That said Louise Wilson has
done her best with conjecture, inference and hearsay to patch together this
narrative. I’m sure A Fragrant Memory
will become a much loved and cited compendium of Margaret Flockton’s life, one
that shines a light on a life until now almost completely obscure.
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